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Классическая и инструментальная музыка

Феликс Мендельсон — один из крупнейших представителей немецкого романтизма, тесно связанный с классическими традициями, основатель лейпцигской школы. Музыка Мендельсона отличается стремлением к ясности и уравновешенности, ей присущи элегичность тона, опора на бытовые формы музицирования и интонации немецкой народной песни. Исполнительский стиль Мендельсона-пианиста, противника поверхностной виртуозности, повлиял на его инструментальную музыку. Один из создателей романтического симфонизма, Мендельсон обогатил его жанром программной концертной увертюры. В сопровождении Берлинского симфонического Оркестра под руководством великого дирижера Герберта фон Карояна, вы совершите красивое сочное путешествие по местам Германии, Италии, связанным с разными периодами жизни и становления талантов композитора и виртуозного исполнителя. Скрипичный концерт Ми минор, ор.64Allegro molto apassionatoAndanteAllegretto non troppoИнсбрукский Симфонический Оркестр / Вагнер, дирижер Евгений Светраноф, скрипкаСимфония № 4 Ля мажор
Феликс Мендельсон — один из крупнейших представителей немецкого романтизма, тесно связанный с классическими традициями, основатель лейпцигской школы. Музыка Мендельсона отличается стремлением к ясности и уравновешенности, ей присущи элегичность тона, опора на бытовые формы музицирования и интонации немецкой народной песни. Исполнительский стиль Мендельсона-пианиста, противника поверхностной виртуозности, повлиял на его инструментальную музыку. Один из создателей романтического симфонизма, Мендельсон обогатил его жанром программной концертной увертюры. В сопровождении Берлинского симфонического Оркестра под руководством великого дирижера Герберта фон Карояна, вы совершите красивое сочное путешествие по местам Германии, Италии, связанным с разными периодами жизни и становления талантов композитора и виртуозного исполнителя. Скрипичный концерт Ми минор, ор.64Allegro molto apassionatoAndanteAllegretto non troppoИнсбрукский Симфонический Оркестр / Вагнер, дирижер Евгений Светраноф, скрипкаСимфония № 4 Ля мажор "Итальянская", ор.90Allegro vivaceAndante con moltoCon molto moderateSaltarello; Presto Берлинский Филармонический Оркестр/ Караян, дирижер
173,00 RUR
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"Воскрешение мертвых" для солистов, хора, органа и большого симфонического оркестра: Симфония № 5 Алексея Рыбникова "Воскрешение мертвых" написана на слова Ветхозаветных пророков Иезекииля, Исайи, Даниила, одинаково почитаемых разными религиями и конфессиями, а также на канонические псалмы из Библии. Солисты и хор поют на иврите, греческом языке, латыни и русском. Несмотря на трагическую доминанту, произведение заканчивается торжественным светлым финалом. "Кости сухие! Слушайте слово Господне! Так говорит Господь Бог костям сиим: вот Я введу дух в вас и оживете. И вошел в них дух, и они ожили и стали на ноги свои". Первая часть начинается со слов пророка Иезекииля на иврите, обращенных ко всем когда-либо жившим на Земле. Каждый воскресший называет свое имя, каждому предстоит суд. Слова Бога полны горечи: "Увы, народ грешный! Народ, обремененный беззакониями. Оставили Господа! Вы, люди непокорные, которые возмутились против Меня! Кто обречен идти на смерть - иди на смерть. И не пощадит тебя око Мое. Того, кто согрешит предо Мною, изглажу из книги Моей". Во Второй части звучит ария сопрано на латыни на стихи 61-го псалма Давида: "Только в Господе успокаивается душа моя! Только Он - твердыня моя, спасение мое, убежище мое!" Третья часть - восстание сил Зла и Суд над ними. "Отмщения, Господи, отмщения!" Четвертая часть - видение Небесного Иерусалима. В исполнении баса на русском языке звучат слова пророка Исайи: "Восстань, светись Иерусалим! Пришел твой свет, Иерусалим! И слава Господня взошла над тобой!"
243,00 RUR
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Страсти по клавиру» - программа, призванная воссоздать историю развития клавишных инструментов от начала 17 века до наших дней. Музыкант Даниил Дворцов исполняет музыку пяти веков на трёх инструментах: спинете, органе и рояле. Данный формат без преувеличения можно назвать музыкальным моноспектаклем, так как три абсолютно разных инструмента и один исполнитель -единичное явление в концертной практике! Даниил Дворцов приглашает своих зрителей совершить с ним незабываемое путешествие сквозь времена к музыкальным истокам и прикоснуться к тайнам их эпох...ФанишЮворцов выпускник фортепианного факультета Санкт-Петербургской государственной консерватории им. Н.А.Римского-Корсакова. Лауреат Международного музыкального конкурса, преподаватель класса фортепиано Санкт-Петербургской детской музыкальной школы им. Н.А.Римского-Корсакова, член Союза концертных деятелей Санкт-Петербурга. Ведёт активную концертную и музыкально-просветительскую деятельность в России, странах СНГ и Европы. В концертный репертуар музыканта входят произведения различных эпох и стилей от старинной музыки до современности, а также собственные оригинальные транскрипции различной музыки камерно-вокального и камерно-инструментального жанров.Содержание: 01. Луи Куперен - Прелюдия in d (спинет) 02. Иоганн Себастьян Бах - Сарабанда Ми мажор (спинет) 03. Иоганн Себастьян Бах - Три хоральные прелюдии для органа: 1) Ich ruf zu dir, Herr Jesu Christ2) Herr Christ, der einge Gottes-Sohn3) Aus der tiefe rufe ich04. Луи-Николя Клерамбо - Три пьесы для органа из сюиты второго тона: 1) Полнозвучный орган2) Флейты 3) Каприс05. Иоганн Пахельбель - Чакона фа минор (орган) 06. Доменико Скарлатти - Соната ми мажор (рояль) 07. Йозеф Гайдн - Соната № 49, 2 и 3 части (рояль) 08. Фредерик Шопен - Мазурка № 13 (рояль) 09. Клод Дебюсси - Лунный свет (рояль) 10. Сезар Франк - Прелюдия фуга и вариация (орган) 11. Оливье Мессиан - Две медитации для органа: 1) Вечные предначертания2) Иисус принимает страдания12. Сергей Слонимский - Токката для органа13. Иоганн Себастьян Бах - Сарабанда Ми мажор (рояль)
Страсти по клавиру» - программа, призванная воссоздать историю развития клавишных инструментов от начала 17 века до наших дней. Музыкант Даниил Дворцов исполняет музыку пяти веков на трёх инструментах: спинете, органе и рояле. Данный формат без преувеличения можно назвать музыкальным моноспектаклем, так как три абсолютно разных инструмента и один исполнитель -единичное явление в концертной практике! Даниил Дворцов приглашает своих зрителей совершить с ним незабываемое путешествие сквозь времена к музыкальным истокам и прикоснуться к тайнам их эпох...ФанишЮворцов выпускник фортепианного факультета Санкт-Петербургской государственной консерватории им. Н.А.Римского-Корсакова. Лауреат Международного музыкального конкурса, преподаватель класса фортепиано Санкт-Петербургской детской музыкальной школы им. Н.А.Римского-Корсакова, член Союза концертных деятелей Санкт-Петербурга. Ведёт активную концертную и музыкально-просветительскую деятельность в России, странах СНГ и Европы. В концертный репертуар музыканта входят произведения различных эпох и стилей от старинной музыки до современности, а также собственные оригинальные транскрипции различной музыки камерно-вокального и камерно-инструментального жанров.Содержание: 01. Луи Куперен - Прелюдия in d (спинет) 02. Иоганн Себастьян Бах - Сарабанда Ми мажор (спинет) 03. Иоганн Себастьян Бах - Три хоральные прелюдии для органа: 1) Ich ruf zu dir, Herr Jesu Christ2) Herr Christ, der einge Gottes-Sohn3) Aus der tiefe rufe ich04. Луи-Николя Клерамбо - Три пьесы для органа из сюиты второго тона: 1) Полнозвучный орган2) Флейты 3) Каприс05. Иоганн Пахельбель - Чакона фа минор (орган) 06. Доменико Скарлатти - Соната ми мажор (рояль) 07. Йозеф Гайдн - Соната № 49, 2 и 3 части (рояль) 08. Фредерик Шопен - Мазурка № 13 (рояль) 09. Клод Дебюсси - Лунный свет (рояль) 10. Сезар Франк - Прелюдия фуга и вариация (орган) 11. Оливье Мессиан - Две медитации для органа: 1) Вечные предначертания2) Иисус принимает страдания12. Сергей Слонимский - Токката для органа13. Иоганн Себастьян Бах - Сарабанда Ми мажор (рояль)
333,00 RUR
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01.        Opening CreditsGiuseppe Verdi (1813-1901) La Forza Del Destino02.        OvertureI Vespri Siciliani03.
01. Opening CreditsGiuseppe Verdi (1813-1901) La Forza Del Destino02. OvertureI Vespri Siciliani03. "Merce, Dilette Amiche" (Act V) Anna Netrebko, ChorusDon Carlo04. "O Carlo, Ascolta ... Lo Morro, Ma Lieto In Core" (Act III) Dmitri HvorostovskyIl Trovatore05. "Vedi! Le Fosche Notturne Spoglie" (Part II) Chorus06. "Tacea La Notte Placida ... Di Tale Amor" (Part I) Anna Netrebko07. "Tutto E Deserto ... Il Balen Del Suo Sorriso" (Part II) Dmitri Hvorostovsky 08. "Udiste? Come Albeggi ... Mira, Di Acerbe Lagrime" (Part IV) Anna Netrebko, Dmitri HvorostovskyGiacomo Puccini (1858-1924) Tosca09. "Tre Sbirri, Una Carrozza ... Va', Tosca!" (Act I, "Те Deum") Dmitri Hvorostovsky, ChorusUmberto Giordano (1867-1948) Andrea Chenier10. "La Mamma Morta" (Act III) Anna NetrebkoGiuseppe VerdiNabucco11. "Va', Pensiero" (Act III) ChorusRigoletto12. "Cortigiani, Vil Razza Dannata" (Act II) Dmitri HvorostovskyPyotr Ilyich Tchaikovsky (1840-1893) Eugene Onegin13. "Uzh Как Po Mostu, Mostochku" (Act I) Chorus14. Polonaise (Act III) 15. "О! Как Mne Tiazhelo" (Act III) Anna Netrebko, Dmitri HvorostovskyEncoresEmmerich Kalman (1882-1953) Die Csardasfiirstin16. "Khei-Ia! Khei-Ia! Tarn, V Gorakh" (Heia, Heia, In Den Bergen) Lyrics: Leo Stein, Bela JenbachTranslation: Vladimir Mikhailov, Dmitry TolmachevAnna NetrebkoFlorian Hermann (19th Century) Ochi Chyornye (Dark Eyes) Arr. Julian Reynolds, Lyrics: Evgeny HrebenkaDmitri HvorostovskyVasily Solovyov-Sedoi (1907-1979) Podmoskovnye Vechera (Moscow Nights) Arr. E. Stetsuk , Lyrics: Mikhail Matusovsky Anna Netrebko, Dmitri HvorostovskyClosing CreditsAnna Netrebko - Soprano Dmitri Hvorostovsky - BaritoneState Academic Symphony Orchestra "Evgeny Svetlanov" Academic Grand Choir "Masters Of Choral Singing"Conducted By Constantine Orbelian
373,00 RUR
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Предлагаемый Вашему вниманию проект quot; МАСТЕР-КЛАССquot; - первый опыт в России записи классической музыки на DVD-видео. Проект предполагает серию эксклюзивных альбомов с участием выдающихся представителей русской исполнительской школы. Данный альбом открывает серию и посвящен творчеству Квартета имени А.П. Бородина. В нем представлены: quot;живойquot; концерт Квартета, записанный с использованием современных технологий многоканальной звукозаписи, мастер-класс В.А. Берлинского, интервью выдающихся мастеров классической музыки, которые сотрудничают с Квартетом, уникальные материалы, раритетные архивные видеозаписи, фотографии, афиши.ДИСК 1 - КОНЦЕРТСостав испонителей: Р. Агаронян, А. Абраменков, И. Найдин, В. Берлинский - Д.Д. Шостакович, квартет №2, соч. 68- Л.-В. Бетховен, струнный квартет №8, ор. 59 №2. ДИСК 2 - МАСТЕР-КЛАССИсполняет Доминант-квартет. - Л.-В. Бетховен, струнный квартет №4, ор. 18- Д.Д. Шостакович, квартет №8, ор. 110
Предлагаемый Вашему вниманию проект quot; МАСТЕР-КЛАССquot; - первый опыт в России записи классической музыки на DVD-видео. Проект предполагает серию эксклюзивных альбомов с участием выдающихся представителей русской исполнительской школы. Данный альбом открывает серию и посвящен творчеству Квартета имени А.П. Бородина. В нем представлены: quot;живойquot; концерт Квартета, записанный с использованием современных технологий многоканальной звукозаписи, мастер-класс В.А. Берлинского, интервью выдающихся мастеров классической музыки, которые сотрудничают с Квартетом, уникальные материалы, раритетные архивные видеозаписи, фотографии, афиши.ДИСК 1 - КОНЦЕРТСостав испонителей: Р. Агаронян, А. Абраменков, И. Найдин, В. Берлинский - Д.Д. Шостакович, квартет №2, соч. 68- Л.-В. Бетховен, струнный квартет №8, ор. 59 №2. ДИСК 2 - МАСТЕР-КЛАССИсполняет Доминант-квартет. - Л.-В. Бетховен, струнный квартет №4, ор. 18- Д.Д. Шостакович, квартет №8, ор. 110
519,00 RUR
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II Divo returned to the live arena for the first time in 2 years on 2nd August 2011 to perform at the iconic home of the English National Opera, the London Coliseum. Accompanied by the world famous Royal Philharmonic Concert Orchestra this show marked a triumphant return for II Divo performing new material from their album
II Divo returned to the live arena for the first time in 2 years on 2nd August 2011 to perform at the iconic home of the English National Opera, the London Coliseum. Accompanied by the world famous Royal Philharmonic Concert Orchestra this show marked a triumphant return for II Divo performing new material from their album "Wicked Game" as well many of their favourite, well known classics. The concert features the album's title track Wicked Game, Crying, Come What May, Time To Say Goodbye and Dov'e L'amore, which II Divo premiered at the Classic Brit Awards 2011, where they collected a prestigious award for Artist of the Decade for the influence and impact that they have had on the genre since the band first came to the fore in November 2004. This 90 minute concert truly captures II Divo at their best. Behind the scenes documentary footage of II Divo, allows us closer than we've ever been before to the band during album recording sessions for "Wicked Game"; on their promotional travels; at rehearsals for the concert and on the night of the show. Tracklist:01. Come What May (Те Amare) 02 . Dov'e L'amore 03. Adagio 04. Nella Fantasia 05. La Vida Sin Amor 06. Everytime I Look At You 07. Passera 08. Unchained Melody (Senza Сatene ) 09. My Way (A Mi Manera) 10. Wicked Game (Melanconia) 11. Si Tu Me Amas 12. Mama 13. Hallelujah 14. Crying (Llorando) 15. Unbreak My Heart (Regresa A Mi) 16. Without You 17. Pour Que Tu M'aimes Encore 18. Somewhere 19. Time To Say Goodbye (Con Те Partiro)
849,00 RUR
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When I was a child I saw Donkey Skin and it made me want to be Catherine Deneuve. Later when I saw Yentl I wanted to become Barbra Streisand.
When I was a child I saw Donkey Skin and it made me want to be Catherine Deneuve. Later when I saw Yentl I wanted to become Barbra Streisand. "One day I wanted to sing Legrand, then I met Michel." - Natalie Dessay. What do you get when the Doll from The Tales of Hoffmann meets the composer of the original score from Donkey Skin? A charming and somewhat magical duet: Natalie Dessay / Michel Legrand. From The Umbrellas of Cherbourg to The Young Girls of Rochefort, from Eddy Marnay to Claude Nougaro, the music of Michel Legrand and the crystalline voice of Natalie Dessay bloom in the gardens of the Orangerie of the Palace of Versailles, which seem to have been designed to resound with these eternal melodies. "I worked a great deal on the accompaniment; I play the piano as if it were an orchestra," says Legrand. It is with this lush instrumental sound in mind that the composer brought three excellent musicians into the fold: Pierre Boussaguet on double bass, Fran?ois Laizeau on the drums and Pierre Perchaud on guitar. A surprise detour finds bass-baritone Laurent Naouri joining his wife Natalie in duet. These superlative artists come together with complete musical freedom for a unique and unforgettable concert experience. Track List: Concerto de Michel Legrand L'ame soeur a l'hamecon La valse des lilas Chanson de Delphine a Lancien (Les Demoiselles de Rochefort) Papa Can You Hear Me? (Yentl) Recette pour un cake d'amour (Peau d'Ane) You Must Believe in Spring (Les Demoiselles de Rochefort) Dingo Rock Imitation des pianistes de jazz Le rouge et te noir Conseils de la fee des Lilas (Peau d'Ane) Reves secrets d'un prince et d'une princesse (Peau d'Ane) What Are You Doing the Rest of Your Life? (The Happy Ending) La Chanson Les moulins de mon Coeur (The Thomas Crown Affair) Un ete 42 (Summer of 42) The Summer Knows (Summer of 42) On My Way To You Marins, amis, amants ou maris (Les Demoiselles de Rochefort) Serge et Nathalie Duo de Guy et Genevieve (Les Parapluies de Cherbourg) Mon dernier concert Chanson de Delphine (Les Demoiselles de Rochefort)
1 269,00 RUR
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II Divo returned to the live arena for the first time in 2 years on 2nd August 2011 to perform at the iconic home of the English National Opera, the London Coliseum. Accompanied by the world famous Royal Philharmonic Concert Orchestra this show marked a triumphant return for II Divo performing new material from their album
II Divo returned to the live arena for the first time in 2 years on 2nd August 2011 to perform at the iconic home of the English National Opera, the London Coliseum. Accompanied by the world famous Royal Philharmonic Concert Orchestra this show marked a triumphant return for II Divo performing new material from their album "Wicked Game" as well many of their favourite, well known classics. The concert features the album's title track Wicked Game, Crying, Come What May, Time To Say Goodbye and Dov'e L'amore, which II Divo premiered at the Classic Brit Awards 2011, where they collected a prestigious award for Artist of the Decade for the influence and impact that they have had on the genre since the band first came to the fore in November 2004. This 90 minute concert truly captures II Divo at their best. Behind the scenes documentary footage of II Divo, allows us closer than we've ever been before to the band during album recording sessions for "Wicked Game"; on their promotional travels; at rehearsals for the concert and on the night of the show. Tracklist:01. Come What May (Те Amare) 02 . Dov'e L'amore 03. Adagio 04. Nella Fantasia 05. La Vida Sin Amor 06. Everytime I Look At You 07. Passera 08. Unchained Melody (Senza Сatene ) 09. My Way (A Mi Manera) 10. Wicked Game (Melanconia) 11. Si Tu Me Amas 12. Mama 13. Hallelujah 14. Crying (Llorando) 15. Unbreak My Heart (Regresa A Mi) 16. Without You 17. Pour Que Tu M'aimes Encore 18. Somewhere 19. Time To Say Goodbye (Con Те Partiro)
1 309,00 RUR
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When I was a child I saw Donkey Skin and it made me want to be Catherine Deneuve. Later when I saw Yentl I wanted to become Barbra Streisand.
When I was a child I saw Donkey Skin and it made me want to be Catherine Deneuve. Later when I saw Yentl I wanted to become Barbra Streisand. "One day I wanted to sing Legrand, then I met Michel." - Natalie Dessay. What do you get when the Doll from The Tales of Hoffmann meets the composer of the original score from Donkey Skin? A charming and somewhat magical duet: Natalie Dessay / Michel Legrand. From The Umbrellas of Cherbourg to The Young Girls of Rochefort, from Eddy Marnay to Claude Nougaro, the music of Michel Legrand and the crystalline voice of Natalie Dessay bloom in the gardens of the Orangerie of the Palace of Versailles, which seem to have been designed to resound with these eternal melodies. "I worked a great deal on the accompaniment; I play the piano as if it were an orchestra," says Legrand. It is with this lush instrumental sound in mind that the composer brought three excellent musicians into the fold: Pierre Boussaguet on double bass, Fran?ois Laizeau on the drums and Pierre Perchaud on guitar. A surprise detour finds bass-baritone Laurent Naouri joining his wife Natalie in duet. These superlative artists come together with complete musical freedom for a unique and unforgettable concert experience. Track List: Concerto de Michel Legrand L'ame soeur a l'hamecon La valse des lilas Chanson de Delphine a Lancien (Les Demoiselles de Rochefort) Papa Can You Hear Me? (Yentl) Recette pour un cake d'amour (Peau d'Ane) You Must Believe in Spring (Les Demoiselles de Rochefort) Dingo Rock Imitation des pianistes de jazz Le rouge et te noir Conseils de la fee des Lilas (Peau d'Ane) Reves secrets d'un prince et d'une princesse (Peau d'Ane) What Are You Doing the Rest of Your Life? (The Happy Ending) La Chanson Les moulins de mon Coeur (The Thomas Crown Affair) Un ete 42 (Summer of 42) The Summer Knows (Summer of 42) On My Way To You Marins, amis, amants ou maris (Les Demoiselles de Rochefort) Serge et Nathalie Duo de Guy et Genevieve (Les Parapluies de Cherbourg) Mon dernier concert Chanson de Delphine (Les Demoiselles de Rochefort)
1 319,00 RUR
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This dvd is great entertainment no matter what the faults; and absolutley worth having as what will most likely the last time the tenors are released on DVD together. The air is light and the old guys are obviously enjoying themselves more than in the paris concert the year before.Domingo is the clear best in this concert. He is 100x better than the year before in paris. He is sleak and younger looking; his voice not missing a beat. The instrument is just as glorious as it was for the first 3 tenors concert. He is getting up there in years and his voice shows no sign of going away. He sings with a dark and soothing tone all night annd some of his performannces are really quite memorable; and understandable. His english is charming and excellent. Bravo Placido!Carreras sounds much better than he did in paris. I might even go as far as to say that his middle range is more solid than in los Angeles in 1994; but his high notes weren't there in Vienna. It was refreshing to see him in this concert because he comes off as an artist; not as someone who was an artist before he blew out his voice and started wobbing his way through showy and glitzy galas playing off of his former talent. The main difference is he stays within his limits; he sings above the staff only twice all night and keeps away from his warbling fortissimo's as much as possible. There is no doubt the voice that rocked opera in the early eighties is gone; but he presented a charming, well rounded baritenor sound only slightly warbly. His piano's are still graceful and his solo is surprizingly solid. His reapearence on the opera stage in SLY appears to have brought his voice into a cohesive unit again. He also looks much more charming with undyed hair.Pavarotti sounds like Pavarotti. He sings a billion high notes and his tone is still spinning like a much younger man. Beyond his great sound the concert is a failure for him. His pronuciaton is a mockery of english. Words roll out of his mouth like drool which ruins the unbroken legato with which he usually sings. This is expecially bad in the more classical nummbers like O holy night. He also fails to bring the same amount of energy that the other two bring. But look at it this way: His doing well for a man in his late 60's. I know alot of them who are in nursing homes; So its all relative. I tip my hat to a sextagenarian popping off high notes with relative ease.The mood is light and the singing is fabulous. There are some pronuciation isssues, but overall the tenors stay within their aging voices and give a good performance.
This dvd is great entertainment no matter what the faults; and absolutley worth having as what will most likely the last time the tenors are released on DVD together. The air is light and the old guys are obviously enjoying themselves more than in the paris concert the year before.Domingo is the clear best in this concert. He is 100x better than the year before in paris. He is sleak and younger looking; his voice not missing a beat. The instrument is just as glorious as it was for the first 3 tenors concert. He is getting up there in years and his voice shows no sign of going away. He sings with a dark and soothing tone all night annd some of his performannces are really quite memorable; and understandable. His english is charming and excellent. Bravo Placido!Carreras sounds much better than he did in paris. I might even go as far as to say that his middle range is more solid than in los Angeles in 1994; but his high notes weren't there in Vienna. It was refreshing to see him in this concert because he comes off as an artist; not as someone who was an artist before he blew out his voice and started wobbing his way through showy and glitzy galas playing off of his former talent. The main difference is he stays within his limits; he sings above the staff only twice all night and keeps away from his warbling fortissimo's as much as possible. There is no doubt the voice that rocked opera in the early eighties is gone; but he presented a charming, well rounded baritenor sound only slightly warbly. His piano's are still graceful and his solo is surprizingly solid. His reapearence on the opera stage in SLY appears to have brought his voice into a cohesive unit again. He also looks much more charming with undyed hair.Pavarotti sounds like Pavarotti. He sings a billion high notes and his tone is still spinning like a much younger man. Beyond his great sound the concert is a failure for him. His pronuciaton is a mockery of english. Words roll out of his mouth like drool which ruins the unbroken legato with which he usually sings. This is expecially bad in the more classical nummbers like O holy night. He also fails to bring the same amount of energy that the other two bring. But look at it this way: His doing well for a man in his late 60's. I know alot of them who are in nursing homes; So its all relative. I tip my hat to a sextagenarian popping off high notes with relative ease.The mood is light and the singing is fabulous. There are some pronuciation isssues, but overall the tenors stay within their aging voices and give a good performance.
1 339,00 RUR
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01. Opening Credits                 P ART ONE        02. Overture: The Representation Of Chaos                 Scene 1        03. In The Beginning, God Created The Heaven         Recitative: Raphael        And The Spirit Of God Moved Upon The Face Of The Waters         Chorus                04. Now Vanish Before The Holy Beams         Aria: Uriel        Despairing, Cursing Rage         Chorus                Scene 2        05. And God Made The Firmament         Recitative: Raphael        The Marv'lous Work Beholds Amazed         Gabriel, Chorus                Scene 3        06. And God Said: Let The Waters Under The Heavens Be Gathered Together         Recitative: Raphael        Rolling In Foaming Billows         Aria: Raphael                07. And God Said: Let The Earth Bring Forth Grass         Recitative: Gabriel        With Verdure Clad The Fields Appear         Aria: Gabriel                08. And The Heavenly Hosts Proclaimed         Recitative: Uriel        Awake The Harp         Chorus                Scene 4        09. And God Said: Let There Be Lights In The Firmament Of Heaven         Recitative: Uriel        In Splendour Bright Is Rising Now The Sun         Recitative: Uriel                10. The Heavens Are Telling The Glory Of God         Gabriel, Uriel, Raphael, Chorus                Part Two                Scene 1        11. And God Said: Let The Waters Bring Forth         Recitative: Gabriel        On Mighty Pens Uplifted Soars The Eagle Aloft         Aria: Gabriel                12. And God Created Great Whales         Recitative: Raphael                13.  And The Angels Struck Their Immortal Harps         Recitative: Raphael        Most Beautiful Appear         Gabriel, Uriel, Raphael, Chorus                14. The Lord Is Great        Gabriel, Uriel, Raphael, Chorus                Scene 2        15. And God Said: Let The Earth Bring Forth         Recitative: Raphael        Straight Opening Her Fertile Womb         Recitative: Raphael                16. Now Heaven In Fullest Glory Shone         Aria: Raphael                17. And God Created Man         Recitative: Uriel        Hi Native Worth And Honour Clad         Aria: Uriel                18. And God Saw Everything         Recitative: Raphael                19. On Thee Each Living Soul Awaits         Gabriel, Uriel, Raphael                20. Achieved Is The Glorious Work         Chorus                 Part Three                Scene 1        21. Introduction: Morning In Rosy Mantle Appear         Recitative: Uriel                Scene 2        22. By Thee With Bliss, О Bounteous Lord         Adam, Eve, Chorus                23. Of Stars The Fairest         Adam, Eve, Chorus                Scene 3        24. Our Duty We Performed Now         Recitative: Adam And Eve                25. Graceful Consort!         Duet: Adam And Eve                Final Scene        26. О Happy Pair         Recitative: Uriel                Sing The Lord Ye Voices All!         Chorus And Soloists                27. Closing Credits
01. Opening Credits P ART ONE 02. Overture: The Representation Of Chaos Scene 1 03. In The Beginning, God Created The Heaven Recitative: Raphael And The Spirit Of God Moved Upon The Face Of The Waters Chorus 04. Now Vanish Before The Holy Beams Aria: Uriel Despairing, Cursing Rage Chorus Scene 2 05. And God Made The Firmament Recitative: Raphael The Marv'lous Work Beholds Amazed Gabriel, Chorus Scene 3 06. And God Said: Let The Waters Under The Heavens Be Gathered Together Recitative: Raphael Rolling In Foaming Billows Aria: Raphael 07. And God Said: Let The Earth Bring Forth Grass Recitative: Gabriel With Verdure Clad The Fields Appear Aria: Gabriel 08. And The Heavenly Hosts Proclaimed Recitative: Uriel Awake The Harp Chorus Scene 4 09. And God Said: Let There Be Lights In The Firmament Of Heaven Recitative: Uriel In Splendour Bright Is Rising Now The Sun Recitative: Uriel 10. The Heavens Are Telling The Glory Of God Gabriel, Uriel, Raphael, Chorus Part Two Scene 1 11. And God Said: Let The Waters Bring Forth Recitative: Gabriel On Mighty Pens Uplifted Soars The Eagle Aloft Aria: Gabriel 12. And God Created Great Whales Recitative: Raphael 13. And The Angels Struck Their Immortal Harps Recitative: Raphael Most Beautiful Appear Gabriel, Uriel, Raphael, Chorus 14. The Lord Is Great Gabriel, Uriel, Raphael, Chorus Scene 2 15. And God Said: Let The Earth Bring Forth Recitative: Raphael Straight Opening Her Fertile Womb Recitative: Raphael 16. Now Heaven In Fullest Glory Shone Aria: Raphael 17. And God Created Man Recitative: Uriel Hi Native Worth And Honour Clad Aria: Uriel 18. And God Saw Everything Recitative: Raphael 19. On Thee Each Living Soul Awaits Gabriel, Uriel, Raphael 20. Achieved Is The Glorious Work Chorus Part Three Scene 1 21. Introduction: Morning In Rosy Mantle Appear Recitative: Uriel Scene 2 22. By Thee With Bliss, О Bounteous Lord Adam, Eve, Chorus 23. Of Stars The Fairest Adam, Eve, Chorus Scene 3 24. Our Duty We Performed Now Recitative: Adam And Eve 25. Graceful Consort! Duet: Adam And Eve Final Scene 26. О Happy Pair Recitative: Uriel Sing The Lord Ye Voices All! Chorus And Soloists 27. Closing Credits
1 820,00 RUR
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In recent years John Eliot Gardiner's name has been linked more than any other to a huge upsurge of interest in Monteverdi's extraordinary Vespers of Id 10. lieu-itched al his firsl hearing of the work us a child, he went on to conduct it as a Cambridge undergraduate. For that first performance of the then almost unheard-of Vespers, Gardiner formed The Monteverdi Choir, which today enjoys a considerable international reputation in the performance of a wide range of music. In all of their performances over the last twenty-five years the choir has been accompanied by The English Baroque Soloists, also founded by Gardiner (in 1978). It is these forces, together with His Majesties Sagbutts and Cornetts and the London Oratory Junior Choir, which perform the Vespers in St. Mark's.While the Vespers were published three years before Monteverdi took up his post as maestro di cappella of St. Mark's, Gardiner believes the work may well have been written to attract the attention of the Venetian authorities. For, although a highly successful court composer in Mantua, Monteverdi was deeply unhappy there and would have seen Venice as likely to In-more appreciative of his talents. (Indeed, he stayed in Venice for the remaining thirty years of his life and enjoyed there the eminence and fortune which he considered his due.) In his introduction to the performance, Gardiner produces evidence from the Venetian State Archives to suggest that it may have been the Vespers which were performed at Monteverdi's audition for the St. Mark's job.In fact the origins of the Vespers are shrouded in mystery - and it is not even known where or whether they were performed in Monteverdi's lifetime Nevertheless, it is. as John Eliot Gardiner contends, a work that fits the architecture and resonance of St. Mark's perfectly. As the composer of L'Orfeo, Monteverdi was a man of the theatre par excellence. Musically, the Vespers are L'Orfeo's twin and form a highly theatrical work' which seems to find its natural stage in St. Mark's. Although much of Gardiner's performance takes place on a central platform, he also positions singers, at different times, in pulpits, galleries and archways, creating an extraordinary visual and acoustic effect.In recent years the Vespers have been the subject of considerable speculation. Some academics have argued that the Vespers as published do not constitute a liturgical or musical entity. The interweaving of the psalms and the sometimes remarkably sensuous motets, in place of the traditional plainchant and antiphons, is the cause of much controversy. Gardiner is far from dismissive about this speculation but emphasizes that it is not more than that - pure guesswork. He remains impressed by the structural balance and unity of the Vespers as published - and that is how they are performed here. Jonathan FulfordAnn Monoyios - SopranosMarinella Pennicchi - Sopranos Michael Chance - CountertenorMark Tucker - Tenors Nigel Robson - Tenors Sandro Naglia - Tenors Bryn Terfel - Basses Alastair Miles - BassesThe Monteverdi ChoirThe London Oratory Junior ChoirHis Majesties Sagbutts & Cornetts The English Baroque SoloistsJohn Eliot Gardiner
In recent years John Eliot Gardiner's name has been linked more than any other to a huge upsurge of interest in Monteverdi's extraordinary Vespers of Id 10. lieu-itched al his firsl hearing of the work us a child, he went on to conduct it as a Cambridge undergraduate. For that first performance of the then almost unheard-of Vespers, Gardiner formed The Monteverdi Choir, which today enjoys a considerable international reputation in the performance of a wide range of music. In all of their performances over the last twenty-five years the choir has been accompanied by The English Baroque Soloists, also founded by Gardiner (in 1978). It is these forces, together with His Majesties Sagbutts and Cornetts and the London Oratory Junior Choir, which perform the Vespers in St. Mark's.While the Vespers were published three years before Monteverdi took up his post as maestro di cappella of St. Mark's, Gardiner believes the work may well have been written to attract the attention of the Venetian authorities. For, although a highly successful court composer in Mantua, Monteverdi was deeply unhappy there and would have seen Venice as likely to In-more appreciative of his talents. (Indeed, he stayed in Venice for the remaining thirty years of his life and enjoyed there the eminence and fortune which he considered his due.) In his introduction to the performance, Gardiner produces evidence from the Venetian State Archives to suggest that it may have been the Vespers which were performed at Monteverdi's audition for the St. Mark's job.In fact the origins of the Vespers are shrouded in mystery - and it is not even known where or whether they were performed in Monteverdi's lifetime Nevertheless, it is. as John Eliot Gardiner contends, a work that fits the architecture and resonance of St. Mark's perfectly. As the composer of L'Orfeo, Monteverdi was a man of the theatre par excellence. Musically, the Vespers are L'Orfeo's twin and form a highly theatrical work' which seems to find its natural stage in St. Mark's. Although much of Gardiner's performance takes place on a central platform, he also positions singers, at different times, in pulpits, galleries and archways, creating an extraordinary visual and acoustic effect.In recent years the Vespers have been the subject of considerable speculation. Some academics have argued that the Vespers as published do not constitute a liturgical or musical entity. The interweaving of the psalms and the sometimes remarkably sensuous motets, in place of the traditional plainchant and antiphons, is the cause of much controversy. Gardiner is far from dismissive about this speculation but emphasizes that it is not more than that - pure guesswork. He remains impressed by the structural balance and unity of the Vespers as published - and that is how they are performed here. Jonathan FulfordAnn Monoyios - SopranosMarinella Pennicchi - Sopranos Michael Chance - CountertenorMark Tucker - Tenors Nigel Robson - Tenors Sandro Naglia - Tenors Bryn Terfel - Basses Alastair Miles - BassesThe Monteverdi ChoirThe London Oratory Junior ChoirHis Majesties Sagbutts & Cornetts The English Baroque SoloistsJohn Eliot Gardiner
1 820,00 RUR
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Here's the complete concert that brought together four of the world's most exciting singers, performing beloved arias, duets, and quartets. Anna Netrebko and Ellna Garanca appear together for the first time on stage in this dazzling gala for a quartet of
Here's the complete concert that brought together four of the world's most exciting singers, performing beloved arias, duets, and quartets. Anna Netrebko and Ellna Garanca appear together for the first time on stage in this dazzling gala for a quartet of "superstars" (Badische Zeitung). "Bel canto at its most beautiful and most ravishing" (Badische Neueste Nachrichten). Track List: 01. Vincenzo Bellini: Norma - Sinfonia02. Vincenzo Bellini: Norma - Duet: "Mira, o Norma" 03. Gaetano Donizetti: L'elisir d'amore - Romanza: "Una furtiva lagrima" 04. Vincenzo Bellini: I Puritani - Recitative and Aria: "Or dove fuggo io mai? - Ah! per sempreio ti perdei - Bel sogno beato" 05. Vincenzo Bellini: Norma - Cavatina: "Casta Diva - Ah, bello a me ritorna" 06. Gioacchino Rossini: La Cenerentola - Rondo finale: "Nacqui all'affanno e al pianto" 07. Giuseppe Verdi: Don Carlo - Duet: "E lui!... Desso!... L'Infante! - Dio, che nell'alma infondere" 08. Camille Saint-Saens: Samson et Dalila - Ballet: Bacchanale (Act III) 09. Leo Delibes: Lakme - Flower Duet: "Viens, Mallika - Dome epais le jasmin" (Act I) 10. Georges Bizet: Les Pecheurs de perles - Duet: "Au fond du temple saint" (Act I) 11. Camille Saint-Saens: Samson et Dalila - Aria: "Mon coeur s'ouvre a ta voix" (Act II) 12. Giuseppe Verdi: Luisa Miller - Scene and Aria: "Oh! fede negar potessi - Quando le sere al placido" (Act II, Scene III) 13. Giuseppe Verdi: Don Carlo - Morte di Rodrigo: "Felice ancor io son - Per me giunto e il di supremo - Io morro, ma lieto in core" (Act IV, Scene II) 14. Giacomo Puccini: La Boheme - Duetto: "O soave fanciulla" (Act I) 15. Giuseppe Verdi: Rigoletto - Quartet: "Un di, se ben rammentomi - Bella figlia dell'amore" (Act III) 16. Franz Lehar: Giuditta - "Meine Lippen, sie kussen so heiss" (Act IV) 17. Gioacchino Rossini: La Danza18. Ruperto Chapi: Las hijas del Zebedeo - Carceleras: "Al pensar en el dueno de mis amores" 19. Georges Bizet: Carmen - Couplets (Toreador Song): "Votre toast, je peux vous le rendre - Toreador, en garde!" (Act II) 20. Giuseppe Verdi: La Traviata - Brindisi: "Libiamo ne' lieti calici" (Act I) Anna Netrebko - Soprano Elina Garanca - Mezzo-Soprano Ramon Vargas - Tenor Ludovic Tezier - Baritone Marco Armiliato - Conductor
1 820,00 RUR
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Содержание: Alle Kunstler Der Musikparade Im Opening (Es Spielen: Militarorchester Der Ukraine & Militarmusikkorps Perm / Russland): 01. Superman Marsch 02. Udo Jurgens Medley 03. Florentiner Marsch Tschechien
Содержание: Alle Kunstler Der Musikparade Im Opening (Es Spielen: Militarorchester Der Ukraine & Militarmusikkorps Perm / Russland): 01. Superman Marsch 02. Udo Jurgens Medley 03. Florentiner Marsch Tschechien "Zentralorchester Marschall Radetzky": 04. Muzne Pred 05. Balada 06. Koline Koline 07. Skoda Lasky 08. Castaldo Kanada "Delta Police Pipe Band Vancouver": 09. Dugald 10. Wellington Police Pipers In Australia 11. John Campbell 12. Highland Fling Dance 13. Hills Of Kesh 14. Leaving Port Askaig 15. Farewell To The Creeks Ukraine "Militarorchester Der Ukraine / Novomoskovsk": 16. Fanfare "Also Sprach Zarathusta" 17. Kosakenunterhaltungen 18. Ukrainischer Block 19. Viva Colonia 20. Die Kleine Kneipe 21. Sabeltanz (Solist Am Xylophon: Andrii Sheludiakov) 22. Memories (Aus Dem Musical "Cats") (Sopranistin: Crystel Benton) 23. Muss I Denn, Muss I Denn Zum Stadtele Hinaus Frankreich: "La Musique De La Brigade De Sapeurs-Pompiers De Paris": 24. Le Reve Passe 25. Pokerface 26. Bad Romance 27. Aupres De Ma Blonde 28. Quand Madelon 29. La Vie Parisienne 30. Avoir Un Bon Copain Russland: "Militarmusikkorps Perm": 31. Kaiinka 32. Russisches Volkslied "Oy, To Ne Vecher" 33. Marsch Von Tschaikowsky 34. Russisches Volkslied "Ah Vy, Seni, Moi Seni" 35. Lied Von Pestov 36. Beim Kronenwirt 37. Marsch Proscanije Slavjanki Niederlande: "Bicycle Showband Crescendo" / "Fahrradmusikkorps Crescendo": 38. Mars Fanfarov 39. Police Academy March 40. Zorba De Greek 41. Secret Agent Man 42. Love Me Tender 43. Sing Sing Sing 44. Sweet Caroline Das Grosse Nationenorchester Der Musikparade: 45. Rosamunde 46. Raiders Marsch 47. Amazing Grace (Sopranistin: Crystel Benton) 48. Circus Renz (Solist Am Xylophon: Andrii Sheludiakov) 49. Radetzky Marsch 50. Alte Kameraden
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